ABS Podcast – Episode 5: Planned Obsolescence

Did you think I wasn’t going to publish the podcast anymore? WRONG!

I’m back, and with a mammoth episode for good measure: a whopping 57 minutes that will guide you through the intricacies and nuances of how everything man-made gets old, and how we can learn to avoid the frustration caused by being unable to update a phone we bought just a few years before.

I focus mostly on technological devices, but I also compare them with cars, fridges, and even a Boeing 787 aircraft just because I love planes and I actively look for any random excuse to talk about them.

Don’t forget to “like” the new Facebook page for Avian Bone Syndrome!

Links of interest mentioned in the episode:

Voxer: free walkie talkie app for smartphones

(For those of you addicted to the podcast, don’t worry! It’s not over yet. I haven’t had a chance to make any more episodes lately but I will resume shortly.)

I often talk to people about Voxer, a free app for smartphones that I find incredibly useful. I am going to describe it in a little more detail, because the official website can be slightly confusing.

The short version: Voxer is a free walkie-talkie app. But that’s just part of the story. Whereas a traditional walkie-talkie, by definition, requires that all parties involved are ‘tuned in’ at the same time, Voxer doesn’t have that requirement, and mixes live broadcasting with traditional audio messaging.

This sets it apart from any other app that supports voice messages, such as Whatsapp, Facebook Messenger, Telegram and whatnot. With those, a 3-minute message requires a 6-minute turnaround time, minimum: 3 minutes for the sender to record it and 3 minutes for the receiver to listen to it, plus whatever time it takes to transmit it. There’s no way around it, as the message needs to be fully delivered in order to be played, and it needs to be fully recorded in order to be delivered in the first place.

Voxer takes a completely different approach. Person A starts recording a message (with no set duration) and Person B receives a notification immediately. At this point, one of three things can happen:

  • Person B already has the Voxer app open when Person A starts talking: the message is played live, with no delay.
  • Person B has the Voxer app closed and only opens it only when Person A is done talking: the message is stored and is essentially a voicemail.
  • Person B opens the Voxer app for instance 1 minute into the recording: Person B starts playing the message form the beginning while Person A keeps recording; of course, Person B will finish listening to the message 1 minute after Person A is done recording.

There are a few caveats, however. First of all, Voxer is not for phone calls: it’s half-duplex, meaning that you either talk or you listen. This is actually a good thing, because it’s more personal than text messages but way less invasive than calls. Also, while on iPhone the default setting is to use the record button in a “sticky” way (tap once to start recording, tap once to stop), which is arguably more convenient, on Android the default setting appears to be push-to-talk (tap and hold to start recording, release to stop); this can be changed in the settings for each individual chat, rather than for the app as a whole.

The app will automatically find your contacts who also use it when you first install it. On Android it does so by reading your contact list and own phone number automatically, while on iOS it asks for you for your number. If you don’t want to do this, you can just use a fake number, such as 555-111-2222 (note however that if anyone has that number in their list, you will show up as a contact to them.)

Other than by matching contacts, you can find people via their Voxer username. By default this is something really ugly such as “johnsmi1234”, but you can change it (or just find out what yours is) by going to “My profile”. Note that in previous versions of Voxer this required a paid subscription, but can now be done for free.

It also supports group chats up to 15 people and Apple Watch for iOS users, and you can exchange images and text messages within the app as well. As a bonus, if you have a headset with an action button (including Bluetooth ones) you can use that to control the recording.

There is also a Pro version that costs $2.99/mo and gives you additional features, but most people will be perfectly fine with the free version if they use Voxer for personal use.

Voxer is available for free for iOS (App Store), Android (Play Store) and Windows Phone (WP Store). Of course, it requires a data connection — Wi-Fi, 3G or 4G/LTE — in order to work.

 

ABS Podcast – Episode 4: Patch For Episodes 1–3

Welcome to a brand new episode of Avian Bone Syndrome Podcast! This is a “patch” episode, tying up a few loose ends from episodes 1–3. In particular, this episode covers lunar eclipses, daguerrotypes, and the filter bubble around you on the Internet.

Don’t forget to “like” the new Facebook page for Avian Bone Syndrome!

Links of interest mentioned in the episode:

ABS Podcast – Episode 3: Privacy Today

Episode 3 of Avian Bone Syndrome Podcast deals with a very complex topic: privacy. In this time and age of always-on network access, the concept of privacy is quite different.
Join me on a journey that starts at an Italian supermarket and leads you to learn about the not-so-obvious ways that big corporations are tracking you online.

Photography: a time capsule everyone can contribute to

On this fine Sunday morning, I discovered a website that I’ve immediately fallen in love with. It’s called Vintage Everyday, and its tagline reads “bring back nostalgia and memories”. And it does, oh if it does, although technically it’s not even nostalgia: most of us simply don’t remember those times because we just never lived in them. Still, it’s an unbelievable collection that will keep you browsing for hours.

It contains photos of times past: people dressed in the style of their time, billboards with traditional advertising, cities shaped in ways now alien. It’s mesmerizing, and in a different way from sites collecting pictures of actors and actresses from the Golden Age of Hollywood, such as the appropriately named Old HollywoodVintage Everyday is different because it collects images of everyday people and everyday places, not famous movie stars, and in a sense it shows the human side of history. A similar feeling can be had by browsing one’s own family photo albums, but in that case the familiarity of the faces prevents from observing the surrounding elements: when a photo depicts someone you know, you notice them and don’t pay much attention to what’s around them, or even to the details about themselves. Oftentimes people have pointed out things about my own photos of models that I had completely missed, despite having taken and worked on the image for a while.

A few pages into Vintage Everyday, I had an epiphany that I want to share with you. I noticed that at the time these photos were taken, they probably weren’t that special. Certainly in the 1940s having a camera was not an ordinary thing as it is now, as they were harder and more expensive to operate: I have this romantic idea of a photographer being seen if not as a full-fledged artist, at least as someone with a special ability, to speak: you couldn’t just pick up a camera and start shooting. A posed portrait, as many of our own family albums clearly show, was a big deal. However, I’m quite confident that all these pictures at the time were just that, pictures. “Oh look, there’s a photo of a lady walking down a New York street.” “Ah, these kids are playing with a make-believe car.” These images, at the time, must have been relatively uninteresting except to the parties involved.

Fast forward a few decades, and they become treasure troves. History gets in the way and gives these photos a whole new meaning. That lady isn’t just walking in New York City, she is walking confidently in New York City; and the workers in the background, blurred in distance to the point that maybe nobody had noticed them before, are stealing a glance at her while unloading crates of fruit from a truck. Is it the first time they see a woman being that confident? It may very well be: times were a-changing. And those kids playing are blissfully enjoying their own fantasy world, oblivious to the fact that their fathers are fighting a war on the other side of the Atlantic; perhaps that’s why their mothers look at them from the kitchen window, undecided between hope and concern.

At the center — or rather at the side — of everything, always the same thing: a camera and a photographer. That’s how everyday history is documented, with rolls of film by unnamed photographers preserving reality for posterity. Every single photo that was ever taken and that will ever be taken is by its very own definition unique, because at any given moment in time and at any given place in space there is room for only one camera. Every time a shutter fires, life as it is right there and right then is immortalized. Time stops as the image becomes a frail and irreplaceable time capsule.

Even a photo that looks plain or boring at first sight may acquire significance over time. Just look around you: how many things have changed in the last ten years? How many benches have been added or removed, how many shops have changed names, how many buildings have been repainted? And how many times have you seen photos from other countries and felt that even seemingly familiar landscapes were not that familiar after all?

The ubiquity of cameras today means that we can effectively document the changes brought by history, virtually without any effort. That doesn’t mean that it’s become a useless process; on the contrary, it means that we are all empowered and we all should use this ability more often and with more dedication, once we grasp how far-reaching this may be.

Perhaps it’s finally time to stop taking useless selfies and turn the lens towards the world, so that the generations to come will be able to feel the same nostalgia for a time we never lived in as we do when we look at photos from a century ago.

(Image on top: Front Street, Marquette, Michigan, ca. 1909 — From Vintage Everyday)

Orwell vs. Huxley: two dystopian worlds, compared

In 2009 Stuart McMillen, famed Australian comic artist, published a drawn rendition of a short passage from Neil Postman’s Amusing Ourselves To Death.

The passage compares the radically different worlds depicted by Orwell in his “1984” and by Aldous Huxley in his “Brave New World.” Both novels show an Earth whose inhabitants have been rendered helpless and brainwashed, and are considered the quintessential dystopian novels. The term Big Brother, after all, was coined by Orwell for his novel. Yet they depict a radically different approach to enslave humankind.

I’ll leave you to the word of Postman and to the wonderful, if not a little spine-chilling, imagery of McMillen.

What Orwell feared where those who would ban books.
What Huxley feared was that there would be no reason to ban a book, for there would be no one would want to read one.

Orwell feared those who would deprive us of information.
Huxley feared those who would give us so much that we would reduced to passivity and egotism.

Orwell feared the truth would be concealed from us.
Huxley feared the truth would be drowned in a sea of irrelevance.

Orwell feared we would become a captive culture.
Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy and the centrifugal bumblepuppy.

As Huxley remarked in “Brave New World Revisited”, the civil libertarians and rationalists who are ever on the alert to oppose tyranny “Failed to take into account man’s almost infinite appetite for distractions.”

In “Nineteen Eighty-Four”, people are controlled by inflicting pain.
In “Brave New World”, people are controlled by inflicting pleasure.

In short, Orwell feared that what we hate will ruin us.
Huxley feared that that what we love will ruin us.

It is worth noting that Huxley, 26 years after publishing his novel and with World War II having happened in between, wrote an essay entitled “Brave New World Revisited”, in which he analyzes how correct he was in his prior assumptions.

Both novels, and possibly also Huxley’s and Postman’s essays mentioned above, should be — in my humble opinion — read by anybody who has any interest in the future of humanity, even though it might mean having to deal with uncomfortable truths.

Add money to your likes: Flattr’s microdonation system

Many social networks today employ the concept of “favoriting” items: images on Flickr, Instagram and 500px; songs on SoundCloud; videos on YouTube and Vimeo; tweets on Twitter; repositories on GitHub; and so on….

When you “favorite” or “like” something, you’re essentially telling the author that you’d like more of that. Yet, when it comes to creative endeavors, it’s money that makes the difference: not only it helps cover the costs of production, but it also frees up time to produce more. That’s why many of us resort to selling prints, crowdfunding and other ways of raising money.

One of such other ways is Flattr. And it’s G-R-E-A-T.

The idea behind the Sweden-based company is both simple and genius: instead of actively sending money to an author, which can be complex and, in some cases, awkward, you can prepay your Flattr account using pretty much any credit card (in addition to Paypal) and the system does the rest. All you have to do is “connect” your Flattr account to your social network accounts, which usually only takes a couple of clicks for each. This allows Flattr to track your likes and pay creators.

The only slightly more complicated one is Twitter, but it takes just a couple clicks more: since the chirping network changed its terms and conditions, Flattr cannot directly track your favorites. The problem is easily worked around by using SuperFav: just connect it to both Flattr and Twitter, and you’re good to go.

Afterwards, when you favorite or like something on any of the connected social networks, that thing is said to be “flattr’d” by you and the author gets some money from your balance. You don’t have to do anything else, just top up your Flattr funds once in a while and then simply use your social networks as before. Neat, eh?

But it gets better. You can support as many artists as you like, and you don’t pay a cent more than what you want to. You can top up your Flattr funds as much as you want, and then set a monthly budget. At the end of the month, your monthly budget is equally divided between all the artists whose items you favorited or liked. You always know exactly how much you spend.

To make it even clearer: let’s say that you top up €15 and set your monthly balance to €5. During the first month, you “flattr” 5 authors, by liking their contents: each one gets €1. The next month you “flattr” 2 authors: each one gets €2.50. The next month you “flattr” 8 authors: each one gets €0.62. It doesn’t sound like much, but it adds up; and a little is better than nothing.
(Technically speaking there is a 10% fee that Flattr rightfully retains when paying credit out; but that’s of concern only to creators, not supporters.)

Why sign up as a supporter, you ask? Because you like what authors make and feel that their productions are worth a few cents. It’s great to get thousands of views or dozens of favorites on a photo, or 110,000 views on a video. But if you like those things so much, why not take a step further and buy prints, buy books or, even more simply, Flattr? And of course, you can sign up as a contributor too, so you can both give and receive.

And while you’re at it, give it a try by using the Flattr this button right on this post.

Thanks!

Get rid of those apps in iTunes that you never sync anymore

If you’re like me, you’ve had an iPhone, iPod Touch and/or iPad for a few years now and have probably amassed a fairly big collection of apps, both free and paid. Until last year’s iOS 5, this meant having to keep a local copy of each and one of them on the computer you used to sync your iOS device.

My “Mobile Applications” folder contains 924 items, weighing a whopping 18.78 GB. iTunes only lists 920 apps, so something is out of sync already.
Obviously, I do not use that many apps. My iPhone 4 only has 163, and I could delete many of those as I don’t use them. My father’s iPad, which uses my Apple ID to get apps so that he doesn’t have to purchase the same ones I have already paid for, has about 250, most of them being games he tried once or twice and left there.

I’m about to phase out my glorious 2006 iMac in favor of a new Mac Mini and I’m going to just move the iTunes Library folder; this way, everything is retained and I don’t have to convince a brand new iTunes not to nuke the iPhone and iPad just because they have been synced to a different machines. As for the music itself, I could also use iTunes Match to carry it over, but I’d rather just drop the folder in and be happy about it. The point is that I really don’t want to waste about 20 GB on the new computer for apps I honestly don’t care about.

The most immediate method, deleting the apps from iTunes, kind of works… except that if you delete an app that’s used on your device, it will be removed from that device upon syncing. The proper way to do this would be to manually delete from iTunes the ones you’re not using. There’s a little problem with that: there is absolutely no way of knowing whether any local app is being synced to any device or not, unless you manually check whether every single app is on any of your devices. This sounds dreadful enough with my iPhone, with which I’m very familiar; doing it with my father’s iPad sounds like a nightmare.

Thankfully, after a little searching, I found the way to do it in a much easier fashion. Of course, if you follow these instructions and you delete important data or things like that, I’m not responsible. Do this at your own risk.

I’m using iTunes 10.7 on OS X 10.7 Lion, but it should be the same on OS X 10.8 Mountain Lion. When iTunes 11 is released in a few days or weeks, it’s probably going to be much different.

The first, very important thing to do is to disable automatic syncing. To do this, open iTunes’s preferences, go to Devices, and check Prevent iPods, iPhones and iPads from syncing automatically. You can do this even when your device is not connected, but I recommend doing this when it’s already connected so it’s even less likely that something goes wrong.
After you’ve made sure that the new device does not start to sync automatically, go ahead and run a full backup, just in case something goes wrong. Find your device in the sidebar, right click on it, and choose Back Up. It will take a while.
After it’s done backing it up, it’s time to rock and roll.

Click Apps in the the Library section of the side bar, and either choose Select All from the Edit menu, or hit Command-A on your keyboard. Now all your bazillion apps will be selected. You can either delete them, which I do not recommend, or you can move them to a folder. With all of them selected, just drag them into a folder you previously created with the Finder to make a manual backup of all of them. Again, it will take a while. Once all the files are safely copied, you can delete them: just press backspace on your keyboard, or choose Delete from the Edit menu. At this point your may get a scary message warning you that the apps will be deleted from all devices to which they had been copied. Confirm the deletion and move to trash; that’s why you just copied them out.

Now, here’s the nice part. With your device still connected, right click on its name in the sidebar and choose Transfer Purchases. You may be asked for your Apple ID password, and iTunes will make a local copy of all the apps that are currently on your device.
Rinse and repeat for any other extra device, and you’re done: at the end you will only have a local copy of the apps that you currently have on your devices.

If you want to be extra sure that everything has been copied correctly, you may want to run Transfer Purchases again for each device. At the end, you can safely re-enable automatic syncing. If you start the syncing procedure immediately, it should not copy (nor delete!) any apps in any direction, meaning they are already synchronized.

At this point, if you want, you can delete the backup folder you had copied your apps to when you began this whole ordeal. I’d suggest keeping them on a backup disk just in case, but unless the apps are pulled from the App Store, you can safely download them again at no extra cost at any time.

Personally, I ended up recovering about 13 GB by doing this. Not bad, considering that from my point of view those 13 GB were filled with pointless fluff!

Italian luddites: the downfall of a country living in the past

If you were to describe my country, Italy, as a country fearful of change, you wouldn’t be too far off from the truth. If Italians could live under a bubble preventing time from passing, most of them would jump at the opportunity. I have come to the conclusion that most of my fellow countrymen are luddite by nature.

Technology is seen as something to be feared, rather than embraced. Something new comes along, and people of all ages — including part of the youth — will complain that it’s unnecessarily complicated, that things worked just as fine before, and that “back then” nobody was forced to learn anything new. I have wondered why people think this way for a few years now, and I think I’ve come to the conclusion that it has to do with history.

Even today, a hundred and fifty-one years after the unification of the country, most Italians don’t really feel like they are Italian. They are more likely to label themselves as coming from a certain region, city or even neighborhood. The North has been blabbering about independence for decades now, and the South is still stuck in the grip of organized crime, the mafia and its cousins sometimes being more popular and better-considered than the State. Indeed, the roots for such criminal organizations can be traced back to the bandits who fought against the forced “Northernization” of the peninsula — more specifically, the so-called Piemontesizzazione, as the first King of Italy just exported the Piemontese laws to the rest of the newborn country — immediately after the unification.

In a sense, that’s why Italians still today consider the State to be inherently evil and should leave people alone instead of meddling with their lives. You seldom find someone who thinks that she, as a citizen, is herself part of the State. Rather, most people will complain about the State and, why not?, rip it off if possible: after all, from their point of view it’s just reciprocation.

For this reason, each and every change is perceived as preposterous, required by the evil State for the sole reason of complicating the citizens’ life, not unlike the way a big, seemingly almighty cat plays with a tiny mouse solely for its own amusement.

But it’s with technology that Italians show their chronic opposition to change. Most people over 50 have no clue whatsoever about computers. Unless they are introduced to them by some younger member of the family, or through some mandatory course on their workplace, most senior citizens will be completely oblivious to computers. Even among those who do use them, most of them will remain antagonistic to the machine.
Even more worrying is the fact that many young people are virtually as uninterested to computers as such, save for the fields in which they are deemed useful from the ir point of view: illegal file sharing, homework plagiarism, social networking, porn and the like. The interesting thing here is that the same young people spend most of their time with a smartphone in their hands, yet refuse to learn the basics of computing. I personally know an eighteen-year-old woman who claims that she never really learned how to use a computer because she never found a use for them.

Most of my foreign readers are probably shocked at this point, but see, the sad truth is that in Italy the internet is not necessary to carry on with your daily life. Nobody expects you to have an email address, or to submit documents online. I know doctors who proudly take note of their appointments on a dear old paper calendar, rather than using a computer, an iPad, a smartphone or even a measly “data bank” from the 90s. They are completely oblivious to the capabilities that a digital system can provide — such as keeping an easily searchable long-term log of appointments, cross-referencing notes — because they are not familiar with the possibilities, and even if they were, they wouldn’t want to spend some time to learn how to use the system.

In this country, most companies don’t even have a one-page website. Those who do, seldom update it; it quickly turns into a stale flyer, but they don’t care. Who goes to the website, anyway? After all, if a client wants some information she’d better just call: writing to a company’s e-mail address almost invariably results into never receiving a reply, or immediately receiving a notification that the recipient’s mailbox is full, a clear sign that it’s been left unchecked for the longest time.

When it comes to money, Italians and their fear for change goes into overdrive. Given the incredible level of corruption in the country, there have been feeble attempts at reducing the maximum amount that can be paid in cash, forcing any higher-value transaction to be carried out through means that leave a paper trail. Recently, this limit has been lowered to a thousand euros. One would expect that the strongest opposition would come from lobbying entrepreneurs, but no: the ones who complained the most were retired senior citizens. The new limit would prevent those of us who make enough (and the numbers are getting fewer and fewer) from picking up their whole pension in cash in a single visit to the post office. Of course, having it deposited to a checking account would solve the problem immediately, but many people in Italy do not have a checking account altogether, in part due to the fact that they have the highest fees in all of Europe. Indeed, many people only open up one when they are required to, such as when their employers insist that they are paid with a direct deposit, or when they need to purchase a house and need a mortgage.
Credit card usage is also lower than most of Europe, as many people simply don’t trust them (or lack access to them, if they have no checking account). I know people who only use them with ATM to withdraw cash, which — albeit useful in emergencies — is quite a silly thing: why not just use them directly to pay in stores?

When I read that Sweden is starting to consider the wholesale (pun intended) elimination of cash as most Swedes use other means of payments and micropayments, I was stunned. That will never happen here. The people, the commoners if you will, would object too strongly, failing to see that it would actually lead to a greater accountability that would reduce most of the corruption. It would not make it entirely impossible to use money for bribes, of course, but it would require more careful planning than just not releasing an invoice or a giving out a receipt to clients. That alone would be an immense improvement, but then again, it requires a paradigm shift that most people are simply not willing to take out of laziness, rather than out of genuine concerns about privacy and tracking.

About a month ago, my region switched off analog TV transmission, finally entering the all-digital era. This was supposed to happen two years ago, but it kept being postponed over and over, in part due to the political agenda, and in part due to the fear that people would not be able to survive — metaphorically speaking, of course — the switch. It’s not hard: if you have a new TV, you’re already set; if not, you need to get a cheap converter box that you connect between the antenna and the TV. In some cases, as ironically happened to my very own household, you may need to call and pay a technician to replace and/or re-aim your antenna to improve reception. The government, years ago, even started a controversial campaign that allowed people to buy converter boxes at a discount, effectively semi-subsidizing the purchase of these devices. Yet, even today, many people are incredibly confused about the whole matter, and the refrain is always the same: why does my grandma need to learn how to use a converter box with a different remote? why does my grandpa have to spend money to get his antenna replaced? And mind you, these are the same people who complain that there’s nothing on TV. They may have to shell out some cash in some cases (though for most households the expense is simply the cost of the digital receiver, which retails for prices as low as €15), but they would get many more channels to watch for free after that. In most cases, moreover, the switch would be so simple that any nephew or grand-daughter can explain the eldest how to proceed.
The people who complain about how “the government did this to make us spend more money” (without realizing that the money spent, if any, goes to private companies, such as stores and antenna technicians) also fail to realize that the frequencies that get released will be auctioned off for mobile broadband, which will improve the availability of Internet access in areas currently not covered by DSL.

But, then again, who needs the Internet in Italy? The “Internet use in households and by individuals in 2011” report by Eurostat tells a fairly discouraging tale. A note for non-Europeans: “EU27” refers to the whole European Union, which includes 27 Member States (Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden, United Kingdom) as opposed to “Eurozone”, which refers to the 17 Member States currently using the Euro as their currency.

Whereas 73% of the households in the EU27 had Internet access in 2011 and broadband availability was at 68%, only 62% of Italian households have Internet access and barely 52% have broadband. This is in stark contrast with other Western European countries such as France (76% and 70%, respectively), Belgium (77% and 74%), Germany (83% and 78%) or the Netherlands (94% and 83%.) What’s most amazing is that Greece jumped from 25% and 7% in 2007 to 50% and 45% in 2011, and Romania jumped from 22% and 8% to 47% and 31% during the same time span. Italy’s increase is still remarkable (43% and 25% to 62% and 52%), but we remain steadily behind the average.

It gets worse when the actual usage of the Internet, rather than its bare availability in households, is taken into account. An average of 71% of EU27 citizens used the Internet within the 3 months before the survey, 73% used the Internet within the 12 months before the survey, and 24% never used the Internet. The report doesn’t state whether this means never used it at all, or never used it within the past 12 months; in any case, this is only marginally relevant for the sake of the analysis.
In Italy, only 54% used the Internet within the last 3 months and 57% within the last 12 months, while 39% never did. Comparatively, in France these values are 78%, 80% and 19% respectively, in Germany they are 81%, 83% and 16%. Scandinavian countries lead the chart, with Sweden chiming in at 93%, 94% and 5%, and Norway at 93%, 94% and 5%. Iceland shows an even higher Internet penetration, but I’m concentrating on mainland Europe here.

The important fact here is the number of people who never used the Internet. Italy’s value is 39%, the highest in Western Europe after Greece (45%) and Portugal (41%), while the EU27 average is 24%. That’s almost half as much.
Moreover, only 51% of Italians access the Internet at least once a week and only 49% do so daily, while in Germany these values are 77% and 63% respectively. Unsurprisingly, 82% of Norwegian users access the Internet daily, and 91% do so weekly.

Italians are also not very keen on purchasing goods or services over the Internet. Compared to an EU27 average of 43% over the past 12 months, only 15% of Italians carried out economic transactions over the web. This is an incredibly lower value compared to France’s 53%, Germany’s 64%, the Netherlands’ 69% and Norway’s 73%.
The report doesn’t tell the reasons for this negative achievement, but I think I can elaborate a little bit on that. As I’ve said in the first part of this article, Italians are somewhat afraid of change and are particularly opposed to payment methods other than cash. However, while you can enter a store and pay with notes and coins, you cannot do so over the Internet unless you choose the cash-on-delivery options, which is normally more expensive. This, together with the ancestral fear of frauds, lack of widespread Internet access — Italy had one of the strictest law on public wi-fi that simply killed the so-called “Internet cafés” —, generalized computer illiteracy, very high shipping costs and incredibly complicated bureaucracy, effectively hinders any possibility of widespread adoption of electronic commerce. This is not to say that e-shops cannot thrive in Italy; many of them do (and I have first-hand experience of this, because in 2008 and 2009 I worked in a small store that also sold its products online), but most of the buyers are usually returning customers. It’s hard to make a company grow in such an environment, and online businesses shut down daily.

All of this unfortunately triggers a chain reaction: since few people use the Internet and therefore few people will buy online, few companies will be eager to make business online (and the few public authorities will invest in letting users deal with them over the web, given the investment required and the current state of the economy.)

In the EU27, 41% of people interacted with public authorities over the Internet in the last 12 months, but only 22% did so in Italy. The pattern repeats again: France chimes in at 57%, the Netherlands at 62% and Norway at 74%.
Italy’s percentage is only about half of the average, and that’s frankly not surprising. Our bureaucracy is so heavy and complex that moving even if new material were handled digitally, old certificates will probably never be transposed to the 21st century.

Again, I can provide first-hand experience: my parents live in Chieti but they married in my mother’s town, Vasto, which is located about 75 kilometers away. They need a marriage certificate, and the only way to have it is to go to the city hall in Vasto and request it there. There is simply no way to request it at the local city hall and have them get it via fax or something like that, let alone obtaining it directly online. Moreover, since it’s a semi-private act, the request cannot be delegated to some relative who lives there, so they have to be there in person. The most ironic part of this is that not only this will take the better part of a day and money to pay for gas and highway tolls, but the certificate itself will not even be free. But, once again, since very few people would request this kind of data online, there is no reason for public authorities to invest into a massive digital upgrade.

This whole chain reaction leads to an unpleasant conclusion: one of the reasons for Italy’s economy downfall is this country’s inability to change and become modern by embracing technology. What’s even sadder is seeing hordes of youths, the same youths who fiddle with their parents-funded smartphones all day long, puzzled in front of a computer screen. How can we expect things to improve if our future doctors, lawyers and entrepreneurs are confused by paragraph styles in word processors?

Hulu, Pandora, Netflix and more from outside the USA, with IPVanish VPN

One of the pains of living “in the province of the empire,” that is to live outside the United States of America, is that access to many online services is precluded on the basis of geographical restrictions.

Hulu, Pandora, Netflix, just to name a few, will simply refuse to work for you — no matter how much you’re willing to pay. In fact, it is extremely frustrating to know that such companies are forced by copyright vultures to refuse access to international customers, and ultimately lose income. It’s a matter of origin: these services see what country your IP address belongs to, and decide whether to let you in or not.

If you can appear to be online from the US, they will often happily accept international credit cards: after all, if it were for them, there would be no silly geographical restriction in the first place. How do you pretend you’re coming from the US? You use a VPN.


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