What is art? According to Dictionary.com, “[art is] the quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of more than ordinary significance.” That’s a pretty neat definition. Note the last part: “more than ordinary significance”. That means that the viewer, or listener — or more generally, the recipient of art — has to be influenced and affected by the work, for it to be defined art. If that doesn’t happen, it means that it’s not really art after all. It’s a very subjective matter, of course. For instance I personally don’t like most of Picasso’s works, but I do find his Guernica quite unsettling. It affects me, so to me it is art. Some say that you have to be “trained” before you can appreciate some kinds of art. I disagree with that: while it is true that some people may learn to “get”…
Avian Bone Syndrome Posts
In 2009 Stuart McMillen, famed Australian comic artist, published a drawn rendition of a short passage from Neil Postman’s Amusing Ourselves To Death. The passage compares the radically different worlds depicted by Orwell in his “1984” and by Aldous Huxley in his “Brave New World.” Both novels show an Earth whose inhabitants have been rendered helpless and brainwashed, and are considered the quintessential dystopian novels. The term Big Brother, after all, was coined by Orwell for his novel. Yet they depict a radically different approach to enslave humankind. I’ll leave you to the word of Postman and to the wonderful, if not a little spine-chilling, imagery of McMillen. What Orwell feared where those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one would want to read one. Orwell feared those who would deprive us of…
Many social networks today employ the concept of “favoriting” items: images on Flickr, Instagram and 500px; songs on SoundCloud; videos on YouTube and Vimeo; tweets on Twitter; repositories on GitHub; and so on…. When you “favorite” or “like” something, you’re essentially telling the author that you’d like more of that. Yet, when it comes to creative endeavors, it’s money that makes the difference: not only it helps cover the costs of production, but it also frees up time to produce more. That’s why many of us resort to selling prints, crowdfunding and other ways of raising money. One of such other ways is Flattr. And it’s G-R-E-A-T. The idea behind the Sweden-based company is both simple and genius: instead of actively sending money to an author, which can be complex and, in some cases, awkward, you can prepay your Flattr account using pretty much any credit card (in addition to Paypal)…
These past few weeks I’ve been thinking a lot about my photography. As many of you probably know, during the last year I’ve been cooperating with my friend, make-up artist Stefania Di Gregorio, on portraits of models in my home studio. The studio is actually a work in progress itself, as I build it piece by piece as I go. Taking photos of people is something I had wanted to do for a long time, but I never managed to convince anyone to pose for me before. My origins as a photographer, in any case, are in the field of landscapes and macrophotography. There is something about macrophotography that always fascinated and attracted me. I don’t have specific high-end equipment for that kind of images: I use basic extension tubes that allow my Sigma 18-200 zoom to focus much closer than normal. This way, I can be as a close…
Over the weekend, I had the chance to follow Phil Steele’s “How to Shoot Professional-Looking Headshots and Portraits on a Budget with Small Flashes” video course. Quite a title, I know; perhaps he’s a fan of Lina Wertmüller’s films, or something like that. You may know Phil from YouTube, he’s somewhat of a celebrity in the world of photography tutorials (and definitely one of my favorites, together with The Slanted Lens, Phillip McCordall and others. When I saw that he had a full-length video course about studio portraits with small flashed, I jumped in. Read below for more. Let me go back in time a little: as many of you probably know, I’m an amateur photographer and in 2012 I started photographing people in what I like to call my studio, which is really my laboratory, which is really a room in my house where I work and hack things.…
If you’re like me, you’ve had an iPhone, iPod Touch and/or iPad for a few years now and have probably amassed a fairly big collection of apps, both free and paid. Until last year’s iOS 5, this meant having to keep a local copy of each and one of them on the computer you used to sync your iOS device. My “Mobile Applications” folder contains 924 items, weighing a whopping 18.78 GB. iTunes only lists 920 apps, so something is out of sync already. Obviously, I do not use that many apps. My iPhone 4 only has 163, and I could delete many of those as I don’t use them. My father’s iPad, which uses my Apple ID to get apps so that he doesn’t have to purchase the same ones I have already paid for, has about 250, most of them being games he tried once or twice and…
If you were to describe my country, Italy, as a country fearful of change, you wouldn’t be too far off from the truth. If Italians could live under a bubble preventing time from passing, most of them would jump at the opportunity. I have come to the conclusion that most of my fellow countrymen are luddite by nature. Technology is seen as something to be feared, rather than embraced. Something new comes along, and people of all ages — including part of the youth — will complain that it’s unnecessarily complicated, that things worked just as fine before, and that “back then” nobody was forced to learn anything new. I have wondered why people think this way for a few years now, and I think I’ve come to the conclusion that it has to do with history. Even today, a hundred and fifty-one years after the unification of the country,…
One of the pains of living “in the province of the empire,” that is to live outside the United States of America, is that access to many online services is precluded on the basis of geographical restrictions.
Hulu, Pandora, Netflix, just to name a few, will simply refuse to work for you — no matter how much you’re willing to pay. In fact, it is extremely frustrating to know that such companies are forced by copyright vultures to refuse access to international customers, and ultimately lose income. It’s a matter of origin: these services see what country your IP address belongs to, and decide whether to let you in or not.
If you can appear to be online from the US, they will often happily accept international credit cards: after all, if it were for them, there would be no silly geographical restriction in the first place. How do you pretend you’re coming from the US? You use a VPN.
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Shortly before Christmas, I sold my Cybook Opus – which I loved, if you recall my review – and purchased an Amazon Kindle. I have been enjoying it for the past few days, so here is my review for it, especially with regard to how it compares to the Opus.
If, after reading this post, you decide to purchase a Kindle, please do so using the links at the bottom; that way, you support this blog’s costs and expenses.
I cannot provide side-by-side comparisons because I sold the Opus before receiving the Kindle, but I used it for the last year and a half, so I am very familiar with its merits and its shortcomings.
The first thing I noticed is the screen. In addition to being slightly bigger, six inches versus the Opus’s five, the e-ink technology is – not surprisingly – better. The Kindle supports 16 shades of grey rather than the Opus’s 4, and the background looks brighter and the text darker. It is worth pointing out that while the Kindle’s screen is bigger, it is theoretically less sharp because the resolution is the same (800 x 600 pixels). In practice, however, the Kindle still appears better due to the improved technology, dubbed “e-ink pearl.” Amazon shows it off to great effect by employing detailed (and no doubt optimized) pictures as screensavers when the reader is not in use.
I recently had the chance to try Newshosting‘s Usenet service, and I was very favorably impressed. For those who don’t know, Usenet is one of the oldest communication systems on the Internet, dating back to 1979. It was born as a bulletin-like system, and is very similar in usage to e-mail. Unlike e-mail, however, it’s greatly decentralyzed and news servers, as they are called, synchronize with one another. Each server carries several groups (also called newsgroups; normally they’re counted in the thousands), and each one of them is dedicated to a specific topic.
While Usenet usage is unfortunately declining for text, heavily supplanted by web-based forums and, in more recent times, social networks, it’s being more and more used to carry binary contents. There are many groups (whose name normally include “binary” or “binaries”) dedicated to the exchange of video files, audio files and, essentially, all sorts of material. In this arena, since very few ISPs still run a newsserver at all, and those few that do will just not carry binary groups, several commercial Usenet providers fill the gap. I am currently a customer of UsenetServer, but I may just switch to NewsHosting.
I want to make it clear that it is not my intention to advocate or promote piracy in any way. This post is solely dedicated to highlighting the differences between Usenet binaries and the more widely known BitTorrent system, and showing how NewsHosting got it just perfectly right. Let’s start from the beginning, but if you want, you can jump to the review by clicking here.
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